@article{oai:niit.repo.nii.ac.jp:00000197,
 author = {深澤, 大輔},
 journal = {新潟工科大学研究紀要},
 month = {Dec},
 note = {It is difficult that to see the way of exploring the rearing of Horyuuji and the reconstruction after that to be proud of the history in 1400, the meaning or the purpose of the reorganization only through the ones such as the literature and the traces approaches the truth. It is important to pursue what need such one was made because there was through seeing a way of using those ones in those days and so on and to go. The precincts and the building at Horyuuji are a stage, and a setting and property.The actor and the stagehand are priests in those days.However, for the drama to stand up, the manager is necessary, and it dies to that and needs a screenwriter.Then, to make an audience be moved when will be comic when the drama will be traged, the truth which touches in its own way and loyalty and heartstrings and the idea, the philosophy are necessary. Horyuuji is the one which developed, being supported by the crown prince belief.Therefore, it let's be possible to say that it is sought for making the truth clear by understanding deeply about the ideal of the crown prince who is represented by the Jyu-Shichijo Constitution through the building in Toin and Saiin and the Buddhist image which is enshrined there and so on and interpreting.},
 pages = {15--26},
 title = {法隆寺の真実の解明},
 volume = {15},
 year = {2010}
}